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Full text of "The Law Rides Again (Monogram Pressbook, 1943)"

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MONOGRAM PICTURES presents 


me TRAIL BLAZERS _ 


~~, 


JACK LaRUE 


Pil 


# Produced by ROBERT TANSEY 
Directed by ALAN JAMES 
Screenplay by FRANCES KAVANAUGH 


SSeS: aS eee ORE ._ - wa, FF game Tom 


TWO-GUN HEROES 
OF THE OLD WEST! 


...in the kind of cyclonic 
battles they made famous! 


BRING ON YOUR KILLERS! 


Two smashin’, crashin’ | 
he-men of the real west | 
bring back the kind of _ 


made them famous! : 


Two all-time cowboy 
“greats”... fightin’ it He 
out with redskins and 3 
outlaws in a tornado 9 
of real old-time § 
ACTION! 


THE TRAIL 
BLAZERS 
JACK La RUE “seen MILES 


7 AVN ARD THe TRAIL BLAZERS 


One Col. Ad Mat No. 6 “HOOT GIBSON 


‘THE yy RIDES 
sa THE TRAIL ee ¢ saw AN, 
7 @MAYNARD GIBSON “ 


JACK LaRUE § we 
A MONOGRAM PICTURE 


ee Acal® a ine Col, Ad Mat No. ¢ 


AGA 


JACK LaRUE = 
BETTY MILES 


A MONOGRAM PICTURE 


Two Column Ad Mat No. 25 


One Col. Ad Mat No. 7 


ACTION KINGS! 


THE TRAIL BLAZERS 


THE TRAIL 
BLAZERS (*". 
KEN HOOT 


MAYNARD-GIBSON 


Rides 
~GHEt Acal Nn” 


JACK LaRUE & {> aaoein pew ast® ica teute 
BETTY MILES &Ty PICTURE ) BETTY MILES 


One Col. Ad Mat No. 8 One Col. Ad Mat No. 5 


Two Column Ad Mat No. 24 


THE WEST’S ALL-TIME GREATS GIVE YOU REAL ACTION! 


Show’ Cowboys Inspired i ita Lt» Ll COWBOY FAVORITES ON THE JOB |THE STORY 
Exploits of Hoot Gibson 


A “kid’s” driving ambition 


to excel the stunts of profes- 


sional cowboys, whose exploits he had watched with bated 
breath, launched Hoot Gibson on a campaign of training and 
practice which covered his entire boyhood life. 


Gibson comes to the 
“The Law Rides Again,” 
gram’s thrilling western drama in 
which he is co-starred with Ken 
Maynard. 

Hoot was born on a ranch near 
Tekamah, Nebraska, in a section 
where cowboys and down-to-earth 
westerners lived on the open range. 
He was little more than a baby 
when he learned to ride a horse, 
and his skill increased during the 
years in scenic surroundings which 
he accepted as a matter of course. 
But it was his later attendance 
at circuses, wild west shows and 
particularly the town’s only mo- 
tion picture theatre that fired 
his ambition, for here he saw a 
glorified type of cowboys, whose 
lives seemed to be made up of a 
continual -succession of spectacular 
stunts, involving not only trick rid- 
ing and roping but dangerous feats 
of all descriptions. This, decided 
Hoot, was the life he wanted. 

The town motion picture theatre 
showed western films on every bill, 
and only the state of the young- 
ster’s finances prevented his at- 
tendance every night. But eventu- 
ally even this difficulty was over- 
come, when he secured a job oper- 
ating the phonograph which took 
the place of an orchestra at the 
show. Thus he was able to study 
the cowboys each night, and to 
practice emulating their stunts the 
next day. 

How well Hoot had learned his 
lessons was proven when, at the 
age of 18, he won the all-around 
cowboy championship of the world 
at the famous Roundup at Pendle- 
ton, Oregon. 


The cast supporting Gibson and 
Maynard is headed by Betty Miles 
and Jack LaRue, and also includes 
Emmett Lynn, Bryant Washburn, 
Kenneth Harlan, Chief Thunder- 
cloud and Chief Many Treaties. 
Alan James directed under the pro- 
duction supervision of Robert Tan- 
sey. 


EXPERIENCED 


Emmett Lynn has spent many 
years in legitimate plays, vaudeville, 
burlesque and radio, and made his 
screen debut with the old Biograph 
company in 1913, in the era of si- 
lent pictures. Lynn comes to the 
oa Sep eS theatre on in 
“The Law Rides Again,” the fast- 
moving Monogram western drama 
which co-stars Ken Maynard and 
Hoot Gibson. 


AIRMAN 

Before the war so greatly changed 
the lives of United States citizens, 
Ken Maynard not only bought a 
new car every year, but also a new 
airplane, owning seven of the lat- 
ter in seven years. He is consid- 
ered the most expert flyer in the 
Hollywood film colony. Maynard 
comes to the theatre on 
Gare ees aee , co-starring with Hoot 
Gibson in the Monogram western 
drama, “The Law Rides Again.” 


ee 


ey 


theatre on 


CAST 


KEN MAYNARD 
HOOT GIBSON 
BETTY MILES 
JACK LaRUE 


Dillon 


Eagle Eye. EMMETT LYNN 


Hampton 
KENNETH HARLAN 


CHIEF THUNDER CLOUD 
Commissioner Lee 

_BRYANT WASHBURN 

JOHN BRIDGES 

FRED HOOSE 


CHAS. MURRAY, JR. 
Sheriff HANK BELL 
Barking Fox 


CHIEF MANY TREATIES 


OLD-TIMER 

Hoot Gibson first arrived in Los 
Angeles as a member of Dick Stan- 
ley’s Congress of Rough Riders, a 
wild west troupe, which gave its 
scheduled performances and was 
then engaged to appear in films 
made by the old Selig and Biograph 
companies, among the first of the 
important producing organizations 


to locate in Southern California. 
Gibson comes to the .......... the- 
Site ONS 2 fsck esas in “The Law 


Rides Again,” the sweeping Mono- 
gram western drama in which he is 
co-starred with Ken Maynard. 


TRAIL BLAZERS | 


Ken Maynard and Hoot Gibson star 
in “The Law Rides Again,” Trail 


Blazers story at the The- 
atre. 


One Col. Scene Mat No. 1 


§|LaRue, Betty Miles, Bryant Wash- 
?/burn, Charles Murray, Jr., 


‘@ careening 
;|best of them. And a troop of U. 


Ken Maynard and Hoot Gibson get the drop on outlaw leaders Jack 


LaRue and Kenneth Harlan in “The Law Rides Again,’ Monogram’s 


Trail Blazers western opening 


at the Theatre. 


Two Column Scene Mat No. 20 


Ken Maynard, 


Hoot Gibson 


Starred in Exciting Western 


(Revi 


ew) 


“The Law Rides Again,” second in the new series of Mon- 
ogram western pictures starring Ken Maynard and Hoot 
Gibson, is even better than the first. It is fast action from 
the word “Go,” and is a constant succession of thrilling in- 


cidents. 

The new picture opened an en-*¥ 
gagement of days at the 
tgs itp eke theatre last night, to an 
audience which apparently enjoyed 
it to the fullest extent. 

Maynard and Gibson, long favor- 
ites in the western field, are thor- 
ough-going, down-to-earth cowboys, 
and their spectacular riding stunts 
add greatly to the interest of the 
picture. Their supporting cast is 
unusually good, including as it does 
such capable performers as Jack 


eee eee eeee 


Emmett 
Lynn and Kenneth Harlan. This is 
not to mention a contingent of 
hard-riding Indians, headed by 
Chief Thundercloud and _ Chief 
Many Treaties. 

The story finds Maynard and 
Gibson, deputy sheriffs, tracing the 
cause for Indian uprisings near a 
western town, and discovering that 
the redskins have been systematic- 
ally robbed by a corrupt Indian 
agent controlling the district. <A 
double-dealing bandit complicates 
matters, and help comes from a 
dashing young girl who can drive 
stagecoach with the 


S. Cavalry plays an important part 
in a tremendously exciting climax. 

“The Law Rides Again” was pro- 
duced by Robert Tansey, and Alan 
James directed from an_ original 
screenplay by Frances Kavanaugh. 
Marcel Le Picard contributed ex- 
cellent photography. 


CREDITS 


Producer 
ROBERT TANSEY 


Director 
ALAN JAMES 
Photography 

MARCEL LE PICARD 


Film Editor 
FRED BAIN 


Sound 
LYLE WILLEY 


Music 
FRANK SANUCCI 
Original Screenplay by 
FRANCES KAVANAUGH 


Maynard, Gibson 
Opening Soon 


Ken Maynard and Hoot Gibson 
are co-stars of “The Law Rides 
Again,” the thrilling new Mono- 
gram western drama which comes 
to the: 223.42. theatre on 
with Betty Miles, California’s cham- 
pion cowgirl, in the leading femin- 
ine role. Jack LaRue is seen in an- 
other featured part, and the cast 
also includes Bryant Washburn, 
Emmett Lynn, Kenneth Harlan, 
Charles Murray, Jr., Chief Thun- 
dercloud and Chief Many Treaties. 
Robert Tansey produced, and the 
film was directed by Alan James 
from ah original screenplay by 
Francs Kavanaugh. 


| back-Wallace 


(Not for Publication) 


Hoot Gibson and Ken May- 
nard, deputies, are authorized 
by a U. S. Commissioner in 
Arizona to use Duke Dillon, a 
bandit just convicted of local 
crimes, in an attempt to dis- 
cover why the Indians near 
Preston have gone on the war- 
path. Betty Conway drives the 
stage in which a U. S. marshal 
and Dillon are riding to Pres- 
ton, where John Hampton is lo- 
cal Indian agent. Hoot and Ken 
ride after the stage with word 
of the Indian uprising. When 
redskins attack the coach, Dil- 
Ion kills the marshal and es- 
capes, only to be recaptured 


by the two cowboys. The In- 
dians are outdistanced, and at 
Preston the thoroughly tamed 
Dillon leads the forces of the 
law to the offices of Hampton, 
whose gang, it transpires, has 
been robbing the Indians of 
practically all the cattle allotted 
to them by the government. 
Dillon kils Hampton and flees 
with the latter's hoard of stolen 
money, but is again captured 
by Hoot and Ken among the 
great rocks scattered over the 
hills near the town. They are 
stalked by Hampton’s big gang 
of henchmen, but are saved 
when Betty summons the cav- 
alry from a nearby fort. The 
sheriff also arrives at the head 
of a band of Indians, who now 
understand the situation. The 
gang is wiped out, and Dillon 
is turned over to the sheriff. 


Riding Star Had 
Colorful Career 


Ken Maynard was a performer in 
rodeos, wild west shows and cir- 
cuses long before he thought of the 
stage or screen, and was a star per- 
former with Buffalo Bill, Hagen- 
and Pawnee Bill’s 
Wild West. During the winter sea- 
sons he was a real down-to-earth 
cowboy, riding the range in what- 
ever part of the western country his 
show closed its tour. 

Later Maynard was a headliner 
with the Ringling Bros. Circus, and 


.| eventually made his entry into Hol- 


lywood with still another tented 
show. At that time he was signed 
to a long-term film contract, and 
quickly became established, in the 
top rank of film cowboys. 

Maynard comes to the 
theatre on ......%. as co-star with 
Hoot Gibson in “The Law Rides 
Again,” Monogram’s thrilling drama 
of the western frontier. Other mem- 
bers of the cast are Betty Miles, 
Jack LaRue, Bryant Washburn, Em- 
mett Lynn, Charles Murray, Jr., 
Kenneth Harlan, Chief Thunder- 
cloud and Chief Many Theaties. 
Alan James directed for producer 
Robert Tansey, and the original 
screenplay was written by Frances 
Kavanaugh. 


ee 


ROPE AND TIE ‘EM WITH THESE RIP-ROARING ACCESSORIES! 


THE TRAIL BLAZERS 
WILL SIZZLE 
AT THE | 
BOXOFFICE! 


= ody ot hy dere TANSEY - 
RLIEBS A y 


Six SHEET 


MONOGRAM PICTURES presents FEE TRAIL BLAZERS — 


S*MAYNARD "GIBSON = SSE 


THREE SHEET 


THE TRAIL BLAZERS. 


37 Monogram Exchanges 
to serve you 


‘JACK LaRUE 


BETTY MILES Be ALBANY, NEW YORK NEW ORLEANS, LA. 
reitrentomt Ey ATLANTA, GEORGIA NEW YORK, NEW YORK 
BOSTON, MASSACHUSETTS OKLAHOMA CITY, OKLA. 
BUFFALO, NEW YORK OMAHA, NEBRASKA 
SET OF TWO CINCINNATI, OHIO PHILADELPHIA, PA. 
9° x 28 CARDS CHARLOTTE, N. CAROLINA PITTSBURGH. PA. 
CHICAGO, ILLINOIS PORTLAND, OREGON 


CLEVELAND, OHIO §T. LOUIS, MISSOURI 


DALLAS, TEXAS SALT LAKE CITY. UTAH 
DENVER, COLORADO SAN FRANCISCO, CALIF. 
DES MOINES, IOWA SEATTLE, WASHINGTON 
DETROIT, MICHIGAN WASHINGTON, D. C. 
INDIANAPOLIS, INDIANA TORONTO, ONTARIO 
KANSAS CITY, MISSOURI MONTREAL, QUEBEC 


LOS ANGELES, CALIF. 


MILWAUKEE, WISCONSIN %!- JOHN. N. B. 
MINNEAPOLIS, MINNESOTA CALGARY. ALBERTA 
NEW HAVEN, CONN. VANCOUVER, B. C. 


EXECUTIVE OFFICES: 
4376 SUNSET DRIVE, HOLLYWOOD, CALIF. 


JACK TaRUE 
BI M ES 


>, A MONOGRAM PICTURE 


TITLE CARD AND SLIDE INSERT CARD 


SELL KEN MAYNARD AND HOOT GIBSON---THEY'RE TOPS! 


Printed in U.S.A. 


Scanned from the collections of the 
Wisconsin Center for Film and Theater Research, 
with support from Matthew and Natalie Bernstein. 


for Film and Theater Research 


http://wcftr.commarts.wisc.edu 


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